Kathrin Schlegel en Elise ’t Hart geselecteerd voor kunst in het Dordthuis (Dordrecht.net)
Gemeente reserveert 6 ton voor kunst in Dordthuis (RTV Dordrecht)
Kunstenaars Kathrin Schlegel en Elise ’t Hart geven Dordthuis een creatieve ziel (DordtCentraal.nl)
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Podcast #10 - Schepping van de wetenschap met Jan Beuving (vanuit Museum Catharijneconvent) (S04)
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Museum Catharijneconvent, Lange Nieuwstraat 38, Utrecht
Article "Religie en wetenschap samen op zoek naar het Ware" by Paul Delfgaauw
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Friday, 23rd of September at 15:00 my new work in public space “De lucht lezen” will be unveiled.
Location: De Reiger, De Rijp (city of Alkmaar).
De lucht lezen is a permanent work in public space, commissioned by the municipality of Alkmaar, the Netherlands, for the residential area De Pauw (English: The Peacock) in De Rijp. A wooden structure inspired by the Archimedean screw resembling a peacock, or pauw, placed atop a small hill in a park-like setting, together with two oval mirrors reflecting the sky at locations near-by. The work references the historical use of windmills to reclaim the land from the sea, and the position of De Rijp as a former harbour with a sawmill. De lucht lezen evokes the most important quality of a traditional miller: the ability ‘to read the sky’, which attains new meanings in the context of climate change and rising sea levels.
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Exhibition in the framework of the 4th edition of Art Encounters Biennial 2021 - Our Other Us.
Curated by Maria Rus Bojan and Bogdan Ghiu
Exhibition Opening: Friday 1st October, 17.00 hrs,
Timișoara National Art Museum,
Piața Unirii nr.1, Timișoara
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Opening 24 September 2021
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A tribute to an under-appreciated life form. The work Feeding from the Tree of Knowledge took a tiny lichen found on the bark of the university's founding tree as a starting point. This tree has been witness to all the knowledge gained at the campus since 1864 and can therefore be considered the NMBU’s Tree of Knowledge. Taking the lichen symbolises the passing on of knowledge to the new campus. A monumental type of filigree, modelled after a lichen, casted in bronze (3,4 x 3,2 x 4,75 m) and ‘planted’ on an artificial rock atop a hill in the heart of a new park scape that will serve as a meeting point in the students’ learning garden. Campus Ås, Norwegian University of Life Sciences (NMBU), Oslo, Norway, commissioned by KORO, Norway.
Opening 1 September 2021
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Kunsthal Kade, Amersfoort, curated by Judith van Meeuwen
Participants: Carolien Arnold, Irina Birger, George Hendrik Breitner, DRIFT, Suzan Drummen, Olafur Eliasson, Gerjanne van Gink, Andy Goldsworthy, Douglas Gordon, Bert Haanstra, Jasper Hagenaar, Jeppe Hein, Cannupa Hanska Luger, Bernard Heesen, Hiwa K, Berk Ilhan, Joan Jonas, Folkert de Jong, Michael Joo, Job Koelewijn, Victor Kossakovsky, Sean Landers, LaTurbo Avedon, Claude Lorrain, Katja Mater, Yvonne Mostard, Hans Op de Beeck, Yoko Ono, Michelangelo Pistoletto, Tanja Ritterbex, Maria Roosen, Kathrin Schlegel, Dries Verhoeven
3.03.2021 - 29.08. 2021
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2020 A COLLECTIVE PROJECT BY AMSTERDAM BASED ARTISTS: Over twenty-five artists have been working at Rozenstraat’s space in the last months to independently create a Gesamtkunstwerk inspired by the already mythic year 2020….see this unique project in progress….based on ‘the unknown’ and a deliberate lack of control as its guiding principles…2020 can be regarded as a time-document of an unprecedented period..
Participating artists so far are: Tyna Adebowale, Salim Bayri, Koen Doodeman, Hreinn Fridfinnsson, Marije Gertenbach, Gluklya, G. Lucas Going, Ehsan ul Haq, Rosa Johanna, Juliacks, Irene Kopelman, Marijn van Kreij, Raul Marroquín, Maria Mazzanti, Vika Mitrichenko, Yitzhak Izek Mizrahi, Francisco Mojica, Ruchama Noorda, Thierry Oussou, Ian Page, Alejandro Ramírez, Martín La Roche, Praneet Soi, Lily van der Stokker, Iqra Tanveer, Maxim Tyminko, Evi Vingerling, Tchelet Pearl Weisstub, Tatyana Yassievich and Dan Zhu. Contributions by Simnikiwe Buhlungu, Michiel Hilbrink, Lucas Huikeshoven, Wjm Kok, Eva Pel, Arefeh Riahi, Kathrin Schlegel, Lara Verheijden and many more are yet to come!
https://www.rozenstraat.com/event/2020/_
27.06. 2020 - 26.09.2020
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‘Monument for a Lichen’, a tribute to one of the most important life forms on earth. Work in progress. Fifteen 3D-printers printed day and night for 150 days, to create the model for my new work, and the result is now in the hands of the casting company…
The NMBU is one of the oldest Universities of Norway. Originally it was an agricultural school but has now developed into a multidisciplinary University of Life Sciences. The work Feeding from the Tree of Knowledge takes lichen as a starting point to address the fragility of the planet. The work is associated with an ethical question, namely, how we can handle the earth responsibly. At the same time the work uses cultural-historical references and links the agricultural revolution to the expulsion from Paradise and refers to themes from Norwegian mythology. The lichen that was used for the work comes from Tuntreet, the tree that witnessed all the knowledge gained at the Campus, which was planted in 1864 as a symbol to the agricultural school’s founding. This little symbiotic organism is captured by means of a high-resolution computed tomography scan (CT-scan). A monumental type of filigree is subsequently modelled after the lichen – a bronze sculpture of 3,4 m x 3,2 m x 4,75 m – that will be placed on a hill and will form the center of the new parkscape.
Realization 2018-2020. Campus Ås, Norwegian University of Life Sciences (NMBU), Oslo, Norway, commissioned by KORO, Norway.
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Design for an artwork based on the research of physical oceanographer Dr. Theo Gerkema won the competition. S.E.A Texel
Read more
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Mister Motley is een magazine over beeldende kunst dat kunst en leven aan elkaar knoopt. Het is opgebouwd uit zeven thema’s: Art & Everyday Life, Salon, Tendens, Motley College, Gaia, Kunst is Lang en het Archief.
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Der Stein des Weisen in een minicollege over kunst in Rotterdam van Wilma Suto bij Rotterdam Late Night, de talkshow olv Ernest Van der Kwast bij Worm in Rotterdam. www.worm.org
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Der Stein des Weisen
Will be finalised midsummer 2018 and inaugurated September 3rd 2018.
Artwork commissioned by the Erasmus University Rotterdam in 2012 and generously supported by the Mondriaan Fund.
The Clock Axis at Campus Ås, Norway
Read more...
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Closed competition for The Clock Axis at Campus Ås, Norway
Five artists/artists groups have been invited to a closed competition
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IJsselbiënnale 2017
International art route along the IJssel River from Doesburg to Kampen
14.06 - 24.09. 2017
International art route along the IJssel River from Doesburg to Kampen
14.06 - 24.09. 2017
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RESIDU 3
Artists in residence 2012-2015, guest studio Mondriaan Fonds, Het Pompgemaal
Kunsthal 45, Den Helder
27 sep - 29 nov 2015
The exhibition will be opened by Steven van Teeseling of the Mondriaan Fonds at 15:30 hrs.
The exhibition is open from September 27 until november 29, 2015
Kunsthal 45, Koningstraat 43-45, 1781 KC Den Helder
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WAAR DE HAND ZINGT
21 mar – 7 jun 2015
Curator: Arno Kramer
Gijs Assmann, Kevin Bauer, Ruben Bellinkx, Tim Breukers, Paul van Dijk, Florette Dijkstra, Helen Frik, Frik Collection Ceramic Museum, Linde Gadellaa, Femke Gerestein, Rosemin Hendriks, Natasja Kensmil, Paul Klemann, Mariëtte Linders, Margriet Luyten, Hannes Nienhüser, Kathrin Schlegel, Hinke Schreuders, Lisa Sebestikova, Aline Thomassen, Dieke Venema, Henk Visch, Thijs Zweers, Ina van Zyl
Kunstvereniging Diepenheim
Grotestraat 17
7478 AA Diepenheim
T 0547 352143
F 0547 351451
E info@kunstvereniging.nl
Read more...
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DE BEST VERZORGDE BOEKEN 2013
25 okt 2014 - 15 feb 2015
Een selectie van maximaal 33 Best Verzorgde Boeken, van producties van bekende uitgevers tot museumcatalogi, jubileumboeken van bedrijven tot moeilijk vindbare privé-uitgaven. Met een historie die teruggaat tot 1932 is de jaarlijkse uitverkiezing door een vakjury van de Nederlandse Best Verzorgde Boeken de oudste van Europa.
UITNODIGING DE BEST VERZORGDE BOEKEN 2013 STEDELIJK MUSEUM AMSTERDAM
www.stedelijk.nl/tentoonstellingen/de-best-verzorgde-boeken-2013
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EH&I
December 2014, Hermelijn van der Meijden, Het Katern/ Bermkunst
In Hoorn zweeft sinds deze zomer een installatie van Kathrin Schlegel gewichtsloos boven een waterpartij. 'One in love sees a flower differently than a camel does' luidt de poëtische titel...........
Gijs Assmann, Kevin Bauer, Ruben Bellinkx, Tim Breukers, Paul van Dijk, Florette Dijkstra, Helen Frik, Frik Collection Ceramic Museum, Linde Gadellaa, Femke Gerestein, Rosemin Hendriks, Natasja Kensmil, Paul Klemann, Mariëtte Linders, Margriet Luyten, Hannes Nienhüser, Kathrin Schlegel, Hinke Schreuders, Lisa Sebestikova, Aline Thomassen, Dieke Venema, Henk Visch, Thijs Zweers, Ina van Zyl
Kunstvereniging Diepenheim
Grotestraat 17
7478 AA Diepenheim
T 0547 352143
F 0547 351451
E info@kunstvereniging.nl
Read more...
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DE BEST VERZORGDE BOEKEN 2013
25 okt 2014 - 15 feb 2015
Een selectie van maximaal 33 Best Verzorgde Boeken, van producties van bekende uitgevers tot museumcatalogi, jubileumboeken van bedrijven tot moeilijk vindbare privé-uitgaven. Met een historie die teruggaat tot 1932 is de jaarlijkse uitverkiezing door een vakjury van de Nederlandse Best Verzorgde Boeken de oudste van Europa.
UITNODIGING DE BEST VERZORGDE BOEKEN 2013 STEDELIJK MUSEUM AMSTERDAM
www.stedelijk.nl/tentoonstellingen/de-best-verzorgde-boeken-2013
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EH&I
December 2014, Hermelijn van der Meijden, Het Katern/ Bermkunst
In Hoorn zweeft sinds deze zomer een installatie van Kathrin Schlegel gewichtsloos boven een waterpartij. 'One in love sees a flower differently than a camel does' luidt de poëtische titel...........
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ONE IN LOVE SEES A FLOWER DIFFERENTLY THAN A CAMEL DOES
Permanent artwork in public space, installation consisting of street furniture: two park benches and two lanterns, in a pond in a park-like setting, displacement, commissionend by the Municipality of Hoorn, The Netherlands, Ijsvogelpad
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ARTISTIEKE RESEARCH IN BOEKVORM
Distillations
Notes on Kathrin Schlegel's Insertions in Public Space
www.bestverzorgdeboeken.nl
SAVE OUR SOULS
Permanent intervention in public space, Münster, Germany; Installation of a light sign on the roof of the deconsecrated Trinity Church (Dreifaltigkeitskirche).
Save Our Souls – 2013, Profanierte Dreifaltigkeitskirche, York-Ring
Mit einer subtilen Intervention kommentiert die in Amsterdam lebende Künstlerin Kathrin Schlegel die Profanierung der Dreifaltigkeitskirche in Münster. Kathrin Schlegels künstlerischer Eingriff mit dem Titel „Save Our Souls“ verwandelt das dynamische Ringsystem des Saturn-Logos der benachbarten Unterhaltungselektronikkette: Installiert an dem Kreuz auf der Dachspitze der ehemaligen Kirche ist es als beleuchteter Lichtkranz weithin sichtbar.
Seit wenigen Wochen ist nach der Kernsanierung und dem Einzug von Büros und Wohngruppen die Umnutzung der ehemaligen Dreifaltigkeitskirche am York-Ring abgeschlossen. Die künstlerische Arbeit wurde von Pfarrer Frings, zu dessen Pfarrgebiet die Kirche gehörte, angeregt, um die profanen wie spirituellen Bedürfnisse des Menschen im Medium der Kunst zu reflektieren. Das Kunstprojekt wurde von der Kunststiftung NRW, der Wohn + Stadtbau GmbH Münster und der Kunsthalle Münster unterstützt.
contact: Verena Voigt, Kunsthalle Münster, kontakt@verena-voigt-pr.de, https://www.stadt-muenster.de/kunsthalle/archiv/ausstellungen/kathrin-schlegel-save-our-souls.html
Portalkreuz der Dreifaltigkeitskirche Foto: Gisela Schaeper
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DISTILLATIONS
NOTES ON KATHRIN SCHLEGEL'S INSERTIONS IN PUBLIC SPACE
Mit einer subtilen Intervention kommentiert die in Amsterdam lebende Künstlerin Kathrin Schlegel die Profanierung der Dreifaltigkeitskirche in Münster. Kathrin Schlegels künstlerischer Eingriff mit dem Titel „Save Our Souls“ verwandelt das dynamische Ringsystem des Saturn-Logos der benachbarten Unterhaltungselektronikkette: Installiert an dem Kreuz auf der Dachspitze der ehemaligen Kirche ist es als beleuchteter Lichtkranz weithin sichtbar.
Seit wenigen Wochen ist nach der Kernsanierung und dem Einzug von Büros und Wohngruppen die Umnutzung der ehemaligen Dreifaltigkeitskirche am York-Ring abgeschlossen. Die künstlerische Arbeit wurde von Pfarrer Frings, zu dessen Pfarrgebiet die Kirche gehörte, angeregt, um die profanen wie spirituellen Bedürfnisse des Menschen im Medium der Kunst zu reflektieren. Das Kunstprojekt wurde von der Kunststiftung NRW, der Wohn + Stadtbau GmbH Münster und der Kunsthalle Münster unterstützt.
contact: Verena Voigt, Kunsthalle Münster, kontakt@verena-voigt-pr.de, https://www.stadt-muenster.de/kunsthalle/archiv/ausstellungen/kathrin-schlegel-save-our-souls.html
Portalkreuz der Dreifaltigkeitskirche Foto: Gisela Schaeper
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DISTILLATIONS
NOTES ON KATHRIN SCHLEGEL'S INSERTIONS IN PUBLIC SPACE
Opening Saturday March 16th, 15:00
Open: Saturday - Sunday 13:00-17:00 and by appointment
Onomatopee office & projectspace
Bleekstraat 23
5611 VB Eindhoven
The Netherlands
+31(0)651722003
Distillations
Notes on Kathrin Schlegel’s insertions in public space exhibition announcement
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CAMPUS WOUDESTEIN
gehonoreerd
Ideeschets Kathrin Schlegel, opdracht Campus Woudestein, Erasmus Universiteit Rotterdam
28.01.2013
Campus Woudestein: Kathrin Schlegel
De Erasmus Universiteit Rotterdam heeft beeldend kunstenaar Kathrin Schlegel de opdracht gegeven een kunstwerk te realiseren in de openbare ruimte van de nieuwe campus van de universiteit: Campus Woudestein.
Schlegel heeft een ontwerp gemaakt voor een iconische sculptuur waarbij gepolijste RVS elementen worden samengebracht met de originele stenen sokkel van het standbeeld van Erasmus van Hendrick de Keyser uit 1622.
Dit project is één van negen plannen die werd gehonoreerd vanuit de nieuwe regeling Opdrachtgeverschap. Deze regeling heeft tot doel om belangwekkende en openbaar toegankelijk beeldende kunstprojecten te stimuleren. Daarbij is sprake van een bijzondere samenwerking en een overtuigend artistiek inhoudelijk plan en presentatieplan. Lees meer over deze regeling.
beeld: ideeschets Kathrin Schlegel, opdracht Campus Woudestein, Erasmus Universiteit Rotterdam
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THE EMPEROR’S NEW CLOTHES
A curatorial contribution by Hilde de Bruijn to the 5th edition of the Biennial of Young Artists 2012 – Overlapping Biennial, Bucharest.
Participants:
Apparatus 22 (RO)
Irina Botea (RO)
Ulrike Kubatta (DE/UK)
Ioana Nemes (RO)
Pinar&Viola (CAN/TR&NL)
Antonis Pittas (GR/NL)
Kathrin Schlegel (DE/NL)
Stefanos Tsivopoulos (GR/NL)
Dates & Locations
Opening: Thursday 11 October 2012, at Galeria Foto Anexa of the MNAC, 62-68 Calea Mosilor, district 2, Bucharest.
Closing date: 11 November 2012
Publication dates in the newspaper ‘Romania Libera’: 12,15,17,19,22,24, 26,29, and 31 October
The Emperor´s New Clothes,5th edition of the Biennial of Young Artists 2012 – Overlapping Biennial, Bucharest
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NOW I LAY ME DOWN TO EAT
26 t/m 28 mei 2012
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UNCERTAIN ENDS
September 24th 2011-October 24th 2011
2011年09月24日－2011年10月24日
Opening Reception/开幕式：
Saturday 24 September, 2011 16:00-18:00
2011年09月24日（星期六）
C-Space | C-空间
Red No. 1 – C1 & C2, Cao Changdi, Chaoyang District Beijing 100015, China
Tel |电话: +86 10 51273248
Fax | 传真: +86 10 51273249
E-Mail |电子邮件: info@c-spacebeijing.com
C-Space is pleased to present two new solo exhibitions of German artist Kathrin Schlegel and Chinese artist Yu Honglei.
C-空间在此隆重推出德国艺术家凯瑟琳.施莱戈尔和中国艺术家尉洪磊双个展
Kathrin Schlegel conceived the site-specific installation „Uncertain Ends“ for C-Space Beijing, using 999 white perfumed lilies. In Chinese numerology, ´9´ is a special number referring to all good things lasting. The lilies float under the ceiling of the gallery forming their own sky.
The lily (百合, bǎi hé) is said to help a person forget her troubles and symbolizes eternal love. A sky of white lilies seems to float in the space at a height of 4 metres. The hanging garden, probably referring to the Hanging Gardens of Babylon, one of the Seven Wonders of the Ancient World or to the Christian flower iconography, where the lily is a symbol of purity connected to the Immaculate Conception of Mary. The space is thus transformed into a cathedralesque metaspace, a cloud of unbearable beauty surrounded by soft haze. Following one of the essential doctrines or three marks of existence in Buddhism, the impermanence, the installation will be in constant state of flux. Whenever a quality reaches its peak, it naturally begins to transform into its opposite: the flowers blossom from a bud till prime of life and then die. The laws of beauty remain even in times of great distress.
Schlegel´s work departs from her knowledge situated in the site-specific interventions, and develops into a cultural practice through research-oriented and context-related artistic methods. She investigates the potentiality and interactivity of human experience through the medium of art in particular local environments and their everyday spectacles. Her temporary interventions challenge the common perspectives on these locations and events while attempting to produce new sets of (ambiguous) meaning in direct communication with the particular audiences that are being addressed. The investigation of group identities is thus being transformed into an open invitation for social and cultural participation at the stage for production of collective memory, visualisation of social values, and re-articulation of everyday life. Chasing the ephemeral and investigating the impermanence of being is a recurrent element in her works. An important issue for her in the decision about the medium is the authentic and honorable treatment of the aura to be found at the intersection of the sacred and profane. Indeed this search for the aura is also the reason that so much of her work has a theatrical flavor.
凯瑟琳·施莱格尔专门为C空间构思了特定现场装置《不确定终点》，利用了999朵芬芳的百合花。按照中国的数字命理，9是一个特别的数字，代表了长久的好运，而漂浮在画廊天花板下面的百合花形成了它们自己的天空。
百合据说可以帮助一个人忘却烦恼，也象征了永恒的爱情。白色百合组成的天空似乎漂浮在空间中4米高的位置。悬浮的花园也许指的古代八大奇迹中巴比伦的空中花园，或者基督教的花卉标志，其中百合象征着纯洁，同圣母玛利亚的圣灵感孕说联系在一起，使得整个空间成为带有神圣感的教堂般的元空间——赋予了高尚的内心净化的光芒。难以抗拒的优美被一团薄雾所围绕。追随佛教基本教义之一，或者有关存在的三个标志之一，即无常，整个装置将处在不断流动的状态中。一种品质达到最高峰时，就会自然而言地开始相反的品质转化。花朵从花蕾到生命的全盛，然后凋零。美丽的法则即便是在大悲中也依然存在。
凯瑟琳·施莱格尔主要致力于公共空间的项目。2009年在库拉索居住期间，施莱格尔形成了在公共空间，即当地墓地制作一件永久作品的概念。去年，她接受了委托，为荷兰阿默斯福特市创作一件永久雕塑作品，已安装在一座铁路桥下。最近，她接受了为荷兰乌德勒支市创作一件不锈钢雕塑的工作，雕塑是在一个原有雕塑被盗走后留下的基座上。作品的灵感来自“缺席的在场”。
施莱格尔的作品从他对于特定现场介入的知识出发，通过研究为导向并且与语境相关的艺术创作方式，发展成为一种文化实践。她借助在特定的本地环境以及日常景观中的艺术媒材，考察了人类经验的潜力和互动性。她的临时介入挑战了对这些场地和活动的寻常眼光，同时试图营造出一整套新的（含混的）意义，与特定的观众形成直接交流。对于群体身份的研究因而也转化成为公开的邀请，对集体记忆的形成、社会价值观的视觉化以及日常生活的反复表述进行社会和文化的参与。追求暂时性以及对世事无常的研究，成为她的作品中反复出现的元素。对她来说，决定媒材的一个重要问题，就是处理在神圣与世俗的交汇之处找到的某种氛围。当然，对氛围的这一研究也是她的大部分作品有着一种剧院效果的主要原因。
September 24th 2011-October 24th 2011
2011年09月24日－2011年10月24日
Opening Reception/开幕式：
Saturday 24 September, 2011 16:00-18:00
2011年09月24日（星期六）
C-Space | C-空间
Red No. 1 – C1 & C2, Cao Changdi, Chaoyang District Beijing 100015, China
Tel |电话: +86 10 51273248
Fax | 传真: +86 10 51273249
E-Mail |电子邮件: info@c-spacebeijing.com
C-Space is pleased to present two new solo exhibitions of German artist Kathrin Schlegel and Chinese artist Yu Honglei.
C-空间在此隆重推出德国艺术家凯瑟琳.施莱戈尔和中国艺术家尉洪磊双个展
Kathrin Schlegel conceived the site-specific installation „Uncertain Ends“ for C-Space Beijing, using 999 white perfumed lilies. In Chinese numerology, ´9´ is a special number referring to all good things lasting. The lilies float under the ceiling of the gallery forming their own sky.
The lily (百合, bǎi hé) is said to help a person forget her troubles and symbolizes eternal love. A sky of white lilies seems to float in the space at a height of 4 metres. The hanging garden, probably referring to the Hanging Gardens of Babylon, one of the Seven Wonders of the Ancient World or to the Christian flower iconography, where the lily is a symbol of purity connected to the Immaculate Conception of Mary. The space is thus transformed into a cathedralesque metaspace, a cloud of unbearable beauty surrounded by soft haze. Following one of the essential doctrines or three marks of existence in Buddhism, the impermanence, the installation will be in constant state of flux. Whenever a quality reaches its peak, it naturally begins to transform into its opposite: the flowers blossom from a bud till prime of life and then die. The laws of beauty remain even in times of great distress.
Schlegel´s work departs from her knowledge situated in the site-specific interventions, and develops into a cultural practice through research-oriented and context-related artistic methods. She investigates the potentiality and interactivity of human experience through the medium of art in particular local environments and their everyday spectacles. Her temporary interventions challenge the common perspectives on these locations and events while attempting to produce new sets of (ambiguous) meaning in direct communication with the particular audiences that are being addressed. The investigation of group identities is thus being transformed into an open invitation for social and cultural participation at the stage for production of collective memory, visualisation of social values, and re-articulation of everyday life. Chasing the ephemeral and investigating the impermanence of being is a recurrent element in her works. An important issue for her in the decision about the medium is the authentic and honorable treatment of the aura to be found at the intersection of the sacred and profane. Indeed this search for the aura is also the reason that so much of her work has a theatrical flavor.
凯瑟琳·施莱格尔专门为C空间构思了特定现场装置《不确定终点》，利用了999朵芬芳的百合花。按照中国的数字命理，9是一个特别的数字，代表了长久的好运，而漂浮在画廊天花板下面的百合花形成了它们自己的天空。
百合据说可以帮助一个人忘却烦恼，也象征了永恒的爱情。白色百合组成的天空似乎漂浮在空间中4米高的位置。悬浮的花园也许指的古代八大奇迹中巴比伦的空中花园，或者基督教的花卉标志，其中百合象征着纯洁，同圣母玛利亚的圣灵感孕说联系在一起，使得整个空间成为带有神圣感的教堂般的元空间——赋予了高尚的内心净化的光芒。难以抗拒的优美被一团薄雾所围绕。追随佛教基本教义之一，或者有关存在的三个标志之一，即无常，整个装置将处在不断流动的状态中。一种品质达到最高峰时，就会自然而言地开始相反的品质转化。花朵从花蕾到生命的全盛，然后凋零。美丽的法则即便是在大悲中也依然存在。
凯瑟琳·施莱格尔主要致力于公共空间的项目。2009年在库拉索居住期间，施莱格尔形成了在公共空间，即当地墓地制作一件永久作品的概念。去年，她接受了委托，为荷兰阿默斯福特市创作一件永久雕塑作品，已安装在一座铁路桥下。最近，她接受了为荷兰乌德勒支市创作一件不锈钢雕塑的工作，雕塑是在一个原有雕塑被盗走后留下的基座上。作品的灵感来自“缺席的在场”。
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AIR IN C-SPACE BEIJING
Artist in Residence at C-Space Beijng from 1.09.2011-20.12.2011
This project was generously supported by the Foundation for Visual Arts, Design and Architecture, the Netherlands
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BITTE NICHT WIEDER KLAUEN
Permanent work in public space, commissioned by the municipality of Utrecht
Inauguration: 26.08.2011, 17.00h
Location: Utrecht Tuindorp, Willem de Zwijgerplantsoen
Press:
mistermotley.nl
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JENSEITS DER SEHNSUCHT / BEYOND DESIRE
Exhibition runs from 14 May - 26June 2011
Opening reception: Friday, 1 May 2011, 8pm
Mon - Sun 12 - 18pm
ACC Galerie Weimar e.V.
Burgplatz 1
99423 Weimar
www.acc-weimar.de
Read more...
Artist in Residence at C-Space Beijng from 1.09.2011-20.12.2011
This project was generously supported by the Foundation for Visual Arts, Design and Architecture, the Netherlands
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BITTE NICHT WIEDER KLAUEN
Permanent work in public space, commissioned by the municipality of Utrecht
Inauguration: 26.08.2011, 17.00h
Location: Utrecht Tuindorp, Willem de Zwijgerplantsoen
Press:
mistermotley.nl
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JENSEITS DER SEHNSUCHT / BEYOND DESIRE
Exhibition runs from 14 May - 26June 2011
Opening reception: Friday, 1 May 2011, 8pm
Mon - Sun 12 - 18pm
ACC Galerie Weimar e.V.
Burgplatz 1
99423 Weimar
www.acc-weimar.de
Read more...
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ARTE LAGUNA PRIZE 10.11
"Chasing the Ephemeral" by Hagen Betzwieser/ Kathrin Schlegel
presented at Arte Laguna Prize 10.11
Location: Nappe Area of Arsenale of Venice
Opening: saturday 12th March 2011, 6 pm
Period: 12 – 22 March 2011
Opening hours: every day from 10 am to 8 pm
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DOUBLEWORK / SANDBERG REVISITED
20 March - 10 April 2011
Location: KunstKapel, Beatrixpark, Amsterdam
Open: wednesday till sunday 12 - 19 pm
Opening: Sunday March 20, 16.00 pm
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AIR AT ACC GALERIE WEIMAR
1.10.2010- 31.01.2011
"Jenseits der Sehnsucht"
Press:
www.acc-weimar.de/atelier/prog2010
www.thueringer-allgemeine.de
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ARTE LAGUNA PRIZE 10.11
"Chasing the Ephemeral" by Hagen Betzwieser/ Kathrin Schlegel
presented at Arte Laguna Prize 10.11
Location: Nappe Area of Arsenale of Venice
Opening: saturday 12th March 2011, 6 pm
Period: 12 – 22 March 2011
Opening hours: every day from 10 am to 8 pm
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DOUBLEWORK / SANDBERG REVISITED
20 March - 10 April 2011
Location: KunstKapel, Beatrixpark, Amsterdam
Open: wednesday till sunday 12 - 19 pm
Opening: Sunday March 20, 16.00 pm
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AIR AT ACC GALERIE WEIMAR
1.10.2010- 31.01.2011
"Jenseits der Sehnsucht"
Press:
www.acc-weimar.de/atelier/prog2010
www.thueringer-allgemeine.de
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Permanent work in public space, commissioned by the municipality of Amersfoort
Inauguration: 15. 12.2010, 17.00h
Location: Kleine Koppel, Amersfoort
Read More...
Press:
www.cbk-utrecht.nl/lucy/sprookje-aan-de-eem
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VON ANFANG BIS ENDE
Cap Colgne, Xantener Straße 15, Köln
www.capcologne.de
15.10 - 06.11.2010
Vernisage:
Finissage: 06.11.2010
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PLÜSCHOW - Zeiten eines Ortes, Künstlerische Statements und historische Dokumente
Absolutno, Lennart Alves, Andreas Barth, Anton Cerny, Juliane Duda, Olafur Gislason, Sandra Hauser, Jo Zahn/Oliver Gemballa, Almut Linde, Susi Mahacke Produktion, Maix Mayer, Wolfgang Reinke, Kathrin Schlegel, Moira Scott, Michael Ziegler
3.- 24.10.2010, Di-So 11- 17 Uhr
opening: 2.10.2010, 17.00h
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HET LIED VAN DE VERVREEMDING
new video work of Hagen Betzwieser/ Kathrin Schlegel presented
Centrum Beeldende Kunst Zuidoost
Anton de Komplein 120
1102 DR Amsterdam Zuidoost
T 020 25 25 401
info@cbkzuidoost.nl
www.cbkzuidoost.nl
28/08 - 28/10/2010
Opening 28/8/2010, 15.00h
Press:
www.metropolism.com/reviews/vier-kunstenaars-interpreteren-e/
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CHASING THE EPHEMERAL, RC
Kathrin Schlegel/ Hagen Betzwieser
Stichting KIK
Kolderveen 26
7848 NJ Nijeveen
31/7 -16/8/2010
Friday-Sunday: 11.00-18.00 h
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AIR AT STICHTING KIK
Kathrin Schlegel/ Hagen Betzwieser
Stichting KIK
Kolderveen 26
7848 NJ Nijeveen
01/7 -15/8/2010
PLÜSCHOW - Zeiten eines Ortes, Künstlerische Statements und historische Dokumente
Absolutno, Lennart Alves, Andreas Barth, Anton Cerny, Juliane Duda, Olafur Gislason, Sandra Hauser, Jo Zahn/Oliver Gemballa, Almut Linde, Susi Mahacke Produktion, Maix Mayer, Wolfgang Reinke, Kathrin Schlegel, Moira Scott, Michael Ziegler
3.- 24.10.2010, Di-So 11- 17 Uhr
opening: 2.10.2010, 17.00h
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HET LIED VAN DE VERVREEMDING
new video work of Hagen Betzwieser/ Kathrin Schlegel presented
Centrum Beeldende Kunst Zuidoost
Anton de Komplein 120
1102 DR Amsterdam Zuidoost
T 020 25 25 401
info@cbkzuidoost.nl
www.cbkzuidoost.nl
28/08 - 28/10/2010
Opening 28/8/2010, 15.00h
Press:
www.metropolism.com/reviews/vier-kunstenaars-interpreteren-e/
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CHASING THE EPHEMERAL, RC
Kathrin Schlegel/ Hagen Betzwieser
Stichting KIK
Kolderveen 26
7848 NJ Nijeveen
31/7 -16/8/2010
Friday-Sunday: 11.00-18.00 h
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AIR AT STICHTING KIK
Kathrin Schlegel/ Hagen Betzwieser
Stichting KIK
Kolderveen 26
7848 NJ Nijeveen
01/7 -15/8/2010
ARTISTS IN RESIDENCE
Stipendiaten der Jahre 2008 und 2009
Je-Hui Choi (Korea), Sven Karge (Deutschland), Lennart Alves (Schweden), Kathrin Schlegel (Deutschland), Andrea Winkler (Schweiz), Edouard Baribeaud (Frankreich), Yuka Oyama (Japan), Jenni Zimmer (Deutschland), Cindy Schmiedichen (Deutschland), Christoph Ziegler (Deutschland)
Eröffnung der Ausstellung am Samstag, 22.5. um 17 Uhr
Dauer der Ausstellung 23.5. bis 27.6.2010 (di - So 11 - 17 Uhr)
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TALES OF THE UNEXPECTED
Laurence Aëgerter, Rossella Biscotti & Kevin van der Braak, John Bock, Josef Bolf, Călin Dan, Irina Dora Dumitraşcu, Liu Gang, Boukje Janssen, Jeroen Jongeleen, Jesper Just, Sanja Medic, Ana Maria Micu, Ciprian Mureşan, Navid Nuur, Ahmet Öğüt, Onno Poiesz, Wilfriedo Prieto, Daniel de Roo, Kathrin Schlegel & Hagen Betzwieser, Ulay, Carine Weve
Curated by Maria Rus Bojan & Radek Váňa
4 February- 6 March 2010
Opening: 4 February 2010, 18.30 - 23.00 hours
Dek22 Rotterdam, Willem Buytevechstraat 22, Rotterdam
Free entrance with the Art Rotterdam ticket; Thu & Fri& Sat: 12.00- 21.00 hours; Sun: 12.00- 19.00 hours